Kansas City was a fun airport to draw.
Although Kansas City’s terminals look circular, they don’t truly have curved walls. Instead, their true shape is a 54-sided regular polygon (a pentacontakaitetragon), with a portion removed to allow the roadway to enter.
Both the outside and inside wall are polygons, but they’re also rotated slightly from each other, such that each corner of the interior wall is lined up with the midpoint of each outer wall segment, and vice versa. Each inner wall corner has a notch (from the sun shade over the entry doors), and each outer wall corner has a spike (from the support pillars).Continue reading
I’m a fan of the circular landside portion of the terminal on this one, though I was hoping that the airside portion would turn out to be a symmetrical W shape, rather than the slightly irregular W that it turned out to be.
It was pretty easy to draw; the only curves could be drawn with a circle cut out of another circle, and everything else was straight lines save for the tiny circular bump in the middle of the airside concourse.
PIT is a terminal I’ve wanted to draw for a while. I like the X-shaped airside terminal, and I like that both terminals are generally symmetrical across a line that runs east/west through the center of the X.
I’ve had an issue with certain airports equipped to handle large quantities of large aircraft – in many cases, the jet bridges are not connected directly to the terminal structure, but instead are connected to immovable “fingers” extending from the structure. These fingers allow the aircraft to be further from the terminal, and support using multiple jet bridges for faster loading and unloading of very large aircraft.
As I discovered when I created my terminal silhouette for Vancouver, it’s not immediately clear whether the fingers should be considered part of the jet bridge (and should therefore be omitted from the drawing) or part of the terminal (and should therefore be included in the drawing).
Tokyo–Narita has similar fingers in both Terminals 1 and 2, and I debated for a while whether or not I should include them, and even started drawing them:
Ultimately, though, the terminal silhouettes are an aesthetic representation of an airport, and I liked the simplified, fingerless version of Narita better. I decided to learn from my Vancouver silhouette, and drew Narita without the fingers.
Beyond that, my other decisions were what buildings to include in the drawing at all. Satellite maps of NRT seem to show an airside connector of Terminals 2 and 3; however, airport maps (and my recollection of Terminal 2) seem to indicate that this hallway is not available for the traveling public, so I ultimately decided to exclude it. Likewise, there were a few buildings touching the southeast side of Terminal 2 which appeared to be purely administrative; since they were self-contained structures that weren’t deeply integrated with the terminal, I left them out as well.